I am so concerned about the health, well-being and
cholesterol of the stellar,
crow and yellow-necked sparrow, that I always buy salt-free
nuts; organic lettuce for the deer too.
Often times I forget to look up at the sky because I’m carefully watching my every step, in order to avoid crushing
rollie-pollies, ants and spiders.
My pal, Alec understands my sickness. He has it too.
He and I have both confirmed that when a spider, moth or
Daddy-Longlegs has managed to make its way into our kitchens, out of
compassionate (and possibly obsessive compulsive) habit, we take out a small Tupperware
bowl and an envelope, gently place the bowl over the insect, carefully slide
the envelope under the creature and head for the door.
I am in a state of euphoria when I see the small arthropod
animal make it’s way to freedom.
I
want to shout, “Free at last! Free at last!”
Such humane heroine-ism has its downsides. Like right now I am worried about a
lost cat named Little in Shiner, Texas that I read about on a friend’s Facebook
page.
WTF? And ever
since I was a teenager, I've blessed road kill. Yep, true story.
I recall one Thanksgiving holiday week. I was up in Redding visiting my mom, my
brother and my niece who was about 3 or 4 years old at the time. She and I were driving around, picking
up last minute items for the Thanksgiving feast, when I merged onto the
freeway. To the right of the
on-ramp was a dead cat. I quietly
muttered, “Spirit be with you…white light surround you” as I, in my ungodly yet
loving way, blessed the carcass lying there. She stared at me from her car seat and said nothing.
Hours later, my family was gathered
around the table, preparing to stuff ourselves silly. Now, I must tell you, I do not come from a religious family. And although I went through a period of
giving out Bibles at the Esplanade Mall (another time, another blog) we weren’t
the Cleavers that said grace before a meal. Yet, out of the blue, my brother says, “Let’s hold hands and
go around the table and everyone say grace.” I’m like, “What the hell? Out loud?!”
So, we do.
He starts and
it’s very weird and awkwardly traditional, “Thank you god for the food in front
of us…etc" It continues to my
niece’s mom (who we thought was my brother’s wife, but they actually never
really married), then to my mom and then to me. I can’t recall exactly what I said but I know it came out of
my mouth in NASCAR time.
My brother skips my niece, (WTF?) says “Amen” then starts to cut the bird. All of a sudden my 'little gem' says, “I have grace too.”
So my bro puts down the carving knife, we put down the serving bowls and join hands
again…
My niece closes her eyes and begins, “Spirit be with you,
dead orange cat on the side of the road…I know you are in heaven even though
you are bleeding…and spirit be with all the dead kitties, dogs, cows and all
the animals…white light around all the animals…”
Since I didn’t have my eyes closed, due to my aversion to
the whole damn thing,
I could see all
adult eyes fixated on me; especially my mother’s, whose glare was sharper than
the carving knife we were about to use on the (dead) bird.
(Spirit be with you.)
I’m the kinda girl that, after the movie ends, I remain in the theater and pan the credits; not for the director’s name or the producer’s
name. Not for the song titles of
the film’s soundtrack.
I
scan the credits for the American Humane Association’s one assuring sentence:
“No animal was harmed in any way during the making of this film.” I suppose I'm just a hippie, hippie girl from way back, but it’s especially comforting to me, whether the flick I have
just seen was mediocre or phenomenal, to leave the theater knowing the animals
were pampered throughout the production.
Speaking of phenomenal, Wes Anderson’s recent film Moonrise
Kingdom, is all that and more.
Much more. The lead
protagonists are 12 year olds who fall deeply, sweetly in love; a love very misunderstood by the grown-ups. Their performances
are natural; their chemistry is immediate and unforced. During the scenes when
they alone occupy the screen, we see the world through their eyes without the
distracting filter of an adult perspective. In a turnaround, which isn’t
surprising if you’ve seen any of Wes’ other films, it's the adults who come
across as immature and silly. (Fantastic Mr. Fox,
Rushmore, The Royal Tenenbaums)
And Robert
Yeoman, the cinematographer, is a stallion. The pace, the shot selection, the colors, the
composition were pure genius.
If you’ve ever been a misfit, or currently fit the
bill. Or if you’re not a misfit
but love a multitude of them, check out this film.
Since I began this blog talking about animals, what about this one?
I say, "Take it out of the popcorn fund."
Cheers!